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 Egyptian
writer who was awarded the Nobel Prize for
Literature in 1988, and was the first Arab writer to be so honoured.
Many in the Arab world saw the prize somewhat ironic, not least
because the work for which Mahfouz received the prize had been published
at least three decades earlier. However, Mahfouz's books are still
unavailable in many Middle Eastern countries on account of his support
for President Sadat's Camp David peace treaty with Israel in 1978.
Mahfouz has written some 40 novels and short story collections,
30 screenplays and many plays.
Mahfouz was born in Gamaliya, Cairo. His father was a civil servant,
and Mahfouz eventually followed in his footsteps. In his childhood,
his mother often took him to museums and Egyptian history later
became a major theme is many of his books. He graduated from the
Cairo University in 1934. By 1936, having spent a year working on
a M.A., he decided to become a professional writer. He worked as
a journalist at Ar-Risala, and contributed to A-Hilal
and Al-Ahram.
Before turning to the novel, Mahfouz wrote articles and short stories.
By 1939 he had already written three novels. In the same year he
entered government bureaucracy, where he was employed for the next
35 years. From 1939 until 1954 he was a civil servant at Ministry
of Islamic Affairs, and then worked as director of Foundation for
Support of the Cinema for the State Cinema Organization. In 1969-71
he was a consultant for cinema affairs to the Ministry of Culture.
ABATH AL-AQDAR (1939), RADUBIS (1943), and KIFAH TIBAH (1944) were
historical novels that were conceived as a part of a larger unfilled
project of 30 novels meant to cover the whole history of Egypt.
However, following the third novel, Mahfouz shifted his interest
to the present.
 Mahfouz's
major work in the 1950s was The Cairo Trilogy, which the
author completed before the July Revolution. The trilogy is set
in the parts of Cairo where Mahfouz grew up. The novels were titled
with the street names Palace Walk, Palace of Desire,
and Sugar Street. Mahfouz depicts the life of three generations
in Cairo from WW I to the 1950s, when King Farouk I was overthrown.
Without turning the individual characters into representatives of
the different historical currents, Mahfouz lets history flow from
the richness of characters and from their psychological, intellectual
and social dimensions. The trilogy and its mode connects Mahfouz
with the line of such authors as Balzac, Dickens, Tolstoy, and Galsworthy.
The Children of Gebelawi (1959), which was serialized in
the magazine Al-Ahram, portrayed average Egyptians living
the lives of Cain and Abel, Moses, Jesus, and Mohammed. The work
was banned throughout the Arab world, except in Lebanon. Mahfouz
left his post as the Director of Censorship and was appointed Director
of the Foundation for the Support of the Cinema. In 1969 he became
a consultant to the Ministry of Culture, retiring in 1972. He has
been a board member of Dar al Ma'aref publishing house.
In the 1960s and 1970s Mahfouz started to construct his novels
more freely and use interior monologue. In Miramar (1967)
he used a form of multiple first-person narration in which four
narrators tell the story. Manfouz became more interested in destinies,
ideas, and human types than meticulous details of the previous period.
In Arabian Nights and Days (1981) and in The Journey of
Ibn Fatouma (1983) he used traditional Arabic narratives as
subtexts.
 Mahfouz
has written some 40 novels and short story collections, screenplays
and several stage plays. Mahfouz has combined intellectual and cultural
influences from East and West - his own exposure to the literature
of non-Arabic culture began in his youth with enthusiastic consumption
of Western detective stories. Mahfouz's stories are almost always
set in the heavily populated urban quarters of Cairo. His focus
on 'the little man', who has to deal with the changing traditions,
rebellion of younger generations and the temptations of Western
values, has made him a spokesperson not only for Egypt but also
for a number of non-Western cultures. But Mahfouz is not as interested
in historical and realistic analysis as the philosophical and psychological
impact of the change on ordinary people. Mahfouz's introspection
has been a valuable landmark in the 1990s for understanding the
realities of Egypt in the age of transition.
For further reading: The Changing Rhythm: A Study of Najib
Mahfu's Novels by Sasson Somekh (1973); The Modern Egyptian Novel
by Hilary Kilpatrick (1974); The Arabic Novel by Roger Allen (1982);
Naguig Mahfouz, Nobel 1988: Egyptian Perspectives (1989) Nobel
Laureates in Literature, ed. by Rado Pribic (1990); Naguib Mahfouz's
Egypt by Hayim Gordon (1990); Critical Perspectives on Naguib
Mahfouz, ed. by Trevor Le Gassick (1991) - Note: Fundamentalist
Muslims have threatened Mahfouz because of his writings. Two Egyptians
were sentenced to death in 1995 for attempting to kill the author.
In his works Mahfouz has offered critical views of British colonialism
and contemporary Egypt, social issues, and political prisoners.
The major Egyptian influence on Mahfouz's thoughts of science
and socialism in the 1930s was Salama Musa, the Fabian intellectual.
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