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 Italian
poet, prose writer, editor and translator who won the Nobel Prize
for literature in 1975. Montale made his breakthrough as one of
the chief architects of modern Italian poetry in the 1920s. With
his difficult, pessimistic and obscure poems he has superficially
related with his contemporaries Giuseppe Ungaretti and Salvatore
Quasimodo as a co-founder of the hermeneutic school of poetry in
Italy.
"Happiness, for you we walk on a knife edge. To the eyes you
are a flickering light, to the feet, thin ice that cracks; and
so may no one touch you who love you."
(from Felicità raggiunta)
Eugenio Montale was born in Genoa as the youngest of five children
of Domenico Montale, who ran an import business, and Giuseppina
(Ricci) Montale. His formal education was cut short by ill heath.
He spent his summers at the family villa in a small village nearby
the Ligurian Riviera, and images from its harsh landscape later
found their way to his poetry. Originally Montale aspired to be
an opera singer, but he also spent his time reading Italian classics,
French fiction and philosophers such as Arthur Schopenhauer, Benedetto
Croce, and Henri Bergson. During World War I he served as an infantry
officer on the Austrian front. Upon to his return to his family
home, Montale took up singing again. After the death of his voice
teacher in 1923, he abandoned his operatic hopes, and started his
literary career by writing for several publications.
A white dove has landed me
among headstones, under spires where the sky nests.
Dawns and lights in air; I've loved the sun,
colors of honey, now I crave the dark,
I want the smoldering fire, this tomb
that doesn't soar, your stare that dares it to.
(from Collected Poems, 1920-1954, trans. by Jonathan Galassi)
In 1927 Montale moved to Florence, where he worked briefly for
a publishing house. He was appointed director of the GabinettoViesseux
research library in 1928. He worked as a critic, and along with
James Joyce helped the writer Italo Svevo (1861-1928) to gain critical
attention. His first collection of poetry, OSSI DI SEPPIA (Bones
of the Cuttlefish), Montale published in 1925. It included several
poems about Liguria and its scenery. In the following collections,
such as OCCASIONI (1939), Montale's expression grew more subjective
and introspective. The poems examined his personal emotions, set
against contemporary events. His own lyrical production the author
commented in INTENZIONI (INTERVISTA IMMAGINARIA) (1946). He once
remarked that "I do not go in search of poetry. I wait for poetry
to visit me."
 In
1938 Montale was dismissed from his work for refusing to join the
Fascist Party. Montale withdrew from the public life and spent the
following years translating into Italian such writers as William
Shakespeare, T.S. Eliot, Herman Melville, Eugene O`Neill and others.
Montale was especially impressed by Eliot's poem The Waste Land,
which caught the pessimism and mood of confusion felt by many between
the world wars.
After the war he moved to Milan, where he wrote the literary page
for Corriere della sera, the most influential Italian daily
newspaper. He wrote among others about Ezra Pound, whom he considered
a profoundly good man in spite of Pound's sympathies for the Fascist
regime in the 1930s, Ettore Schmitz, who became famous as the author
Italo Svevo, W.H. Auden, a "cosmopolitan poet in every sense of
the word," Emily Dickinson, "a virile soul", and Henry Furst, an
unknown poet who published his poetry in private editions. Montale
reviewed almost all-important new Italian books and his opinions
influenced other reviewers.
"Montale is an ardent defender of simplicity and clarity and
an enemy of irrationalist methodologies. He thinks of criticism
largely as "reading," lettura - I would say "close reading" -
though this close reading must be supplemented by what he calls
"framing," meaning an interest in history and in the social milieu,
which Montale conceives in the widest terms as the whole of Western
civilization. This criticism demands from the critic a personal
engagement and even justifies a serious participation in contemporary
life."
( René Wellek in A History of Modern Criticism 1750-1950, vol.
8, 1992)
Montale's third major collection of poems, LA BUFERA E ALTRO (The
Storm and Other Poems), was published in 1956. SATURA (1971), Montales'
fourth collection, experimented with dialogue, journalistic notation,
aphorism, commentary, and half-strangled song. In such poems as
'Gotterdammerung' and 'Non-Magical Realism', he satirized proliferation
of ideologies, which promised more than could accomplish: "Twilight
began when man thought / himself of greater dignity than moles or
crickets."
In 1967 Montale became member-for-life of the Italian Senate. He
died in Milan on September 12, 1981. Montale was married to Drusilla
Tanzi; they had met in the 1930s and were married in the 1950s.
The couple had no children.
 In
his poetry Montale attempted to move his expression to new directions
and create new myths. He developed a style that mixed archaic words
with scientific terms and idioms from the vernacular. Montale focused
the dilemmas of modern history, philosophy, unanswerable riddles
of human existence, making his texts an effective commentary on
life. Montale's newspaper articles have been published among others
in FUORI DI CASA (1969). Montale's last books, Satura, and his diaries
written in verse, DIARIO DEL '71 E DEL '72 (1973), DIARIO DI QUATTRO
ANNINI (1977), were closer to everyday life and contained autobiographical
material.
Osservare tra frondi il palpitare
lontano di scaglie di mare,
mentre si levano tremuli scricchi
di cicale dai calvi picchi.
E andano nel sole che abbaglia
sentire con triste meraviglia
com'è tutta la vita e il suo travaglio
in questo seguitare una muraglia
che ha in cima cocci aguzzi di bottiglia.
(from 'Meriggio')
For further reading: Eugenio Montale by G. Gambon (1972);
Eugenio Montale: A Critical Study by G. Singh (1973); Eugenio
Montale: The Private Language of Poetry by G. Almansi and B. Merry
(1977); Eugenio Montale: A Poet on the Edge by R. West (1981);
Eugenio Montale's Poetry by G. Gambon (1982); Montale and the
Occasion of Poetry by C. Huffman (1983); Eugenio Montale by J.
Becker (1986); Denussy, and Modernism by G.P. Biasin (1989); Three
Modern Italian Poets by J. Cary (rev. ed. 1993): Encyclopaedia
of World Literature in the 20th Century, vol. 3, ed. by Steven
R. Serafin (1999) - See also: Alba de Céspedes
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